{"id":6448,"date":"2019-08-31T03:49:02","date_gmt":"2019-08-31T01:49:02","guid":{"rendered":"http:\/\/zillionfilm.com\/?p=6448"},"modified":"2019-09-01T23:26:09","modified_gmt":"2019-09-01T21:26:09","slug":"the-movie-white-suit-on-the-road-to-oscar","status":"publish","type":"post","link":"https:\/\/zillionfilm.com\/en\/the-movie-white-suit-on-the-road-to-oscar\/","title":{"rendered":"THE MOVIE “WHITE SUIT”- ON THE ROAD TO OSCAR"},"content":{"rendered":"

“Everything shown in this film really happened”, claims Lazar Ristovski, “but I wanted to raise it a foot above the ground and give it a sense of surreal and poetic. Why? Because today’s audience is so much pressured by the reality of life (especially in Yugoslavia) and needs an embellished picture of the world that relies on romantic enthusiasm, emotions, passion, poetics, honor, chivalry, and the desire to play and show tolerance.”<\/p>\n

All the characters in the film – regardless of their social, educational or cultural background – are selfaware and allow themselves to ponder on large issues like life itself, love, survival, existence, death, the endless circle, the passage of life and the imperfect nature of Mankind. They are not afraid to show their true feelings and true colors. The lead character goes one step further: he is not even afraid of death.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

\u201cTHIS YEAR THE YUGOSLAV CINEMA MADE US A GIFT\u201d<\/strong><\/p>\n

 <\/p>\n

Despite the fact that the production has fallen below ten titles, the Yugoslav cinema has made us a gift. After the big success of ” Black Cat, White Cat” by Emir Kusturica (Silver Lion at the 1998 Venice Festival) and Goran Paskaljevic with “Bure Baruta” (best European film in 1998 according to the Association of film critics FIPRESCI) we’ve been presented with “The White Suit\u201d – a film by Lazar Ristovski which he signs as the producer, screenwriter, director and lead actor. Mentioning these names brings about a sense of like-minded people. This is a logical evolution, after the triumph with the role of Crni in Kusturica’s “Underground” (Golden Palm, Cannes 1995) and his striking, memorable role in “Bure Baruta”. Now a mature actor, Ristovski surely belongs to the world\u2019s acting elite and not only in Belgrade – where he is revered like Depardieu in Paris.<\/p>\n

Jean Roy<\/em><\/strong><\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/p>\n

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OSCAR CANDIDATES 1999 YEAR<\/h3>\n
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  • \n
      \n
    • Argentina, \u201cManuelita<\/strong>,\u201d Manuel Garcia Ferre, re\u017eiser<\/li>\n
    • Austria, \u201cNorthern Skirts<\/strong>,\u201d Barbara Albert, director<\/li>\n
    • Belgium, \u201cRosetta<\/strong>,\u201d Luc and Jean-Pierre Dardenne, director<\/li>\n
    • Bhutan, \u201cThe Cup<\/strong>,\u201d Khyentse Norbu, director<\/li>\n
    • Brazil, \u201cOrfeu<\/strong>,\u201d Carlos Diegues, director<\/li>\n
    • Canada, \u201cSet Me Free<\/strong>,\u201d Lea Pool, director<\/li>\n
    • China, \u201cLover\u2019s Grief over the Yellow River<\/strong>,\u201d Feng Xiao Ning, director<\/li>\n
    • Argentina, \u201cManuelita,\u201d Manuel Garcia Ferre, director<\/li>\n
    • Austria, \u201cNorthern Skirts,\u201d Barbara Albert, director<\/li>\n
    • Belgium, \u201cRosetta,\u201d Luc and Jean-Pierre Dardenne, director<\/li>\n
    • Denmark, \u201cMifune<\/strong>,\u201d Soren Kragh-Jacobsen, director<\/li>\n
    • Finland, \u201cThe Tough Ones<\/strong>,\u201d Aleksi Makela, director<\/li>\n
    • France, \u201cEast-West<\/strong>,\u201d Regis Wargnier, director<\/li>\n
    • Georgia, \u201cHere Comes the Dawn<\/strong>,\u201d Zaza Urushadze, director<\/li>\n
    • Germany, \u201cAimee & Jaguar<\/strong>,\u201d Max Farberbock, director<\/li>\n
    • Greece, \u201cFrom the Edge of the City<\/strong>,\u201d Constantinos Giannaris, director<\/li>\n
    • Hong Kong, \u201cOrdinary Heroes<\/strong>,\u201d Ann Hui, director<\/li>\n
    • Hungary, \u201cThe Lord\u2019s Lantern in Budapest<\/strong>,\u201d Miklos Jancso, director<\/li>\n
    • Iceland, \u201cThe Honour of the House<\/strong>,\u201d Gudny Halldorsdottir, director<\/li>\n
    • India, \u201cEarth<\/strong>,\u201d Deepa Mehta, director<\/li>\n
    • Indonesia, \u201cSri<\/strong>,\u201d Marselli Sumarno, director<\/li>\n
    • Iran, \u201cThe Colours of Paradise<\/strong>,\u201d Majid Majidi, director<\/li>\n
    • Israel, \u201cYana\u2019s Friend<\/strong>,\u201d Arik Kaplun, director<\/li>\n
    • Italy, \u201cNot of this World<\/strong>,\u201d Giuseppe Piccioni, director<\/li>\n
    • Japan, \u201cRailroad Man<\/strong>,\u201d Yasuo Furuhata, director<\/li>\n
    • Lebanon, \u201cAround the Pink House<\/strong>,\u201d Khalil Joreige & Joana Hadjithomas, director<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n
        \n
      • Mexico, \u201cEl Coronel no tiene quien le escriba<\/strong>,\u201d Arturo Ripstein, director<\/li>\n
      • Nepal, \u201cCaravan<\/strong>,\u201d Eric Valli, director<\/li>\n
      • The Netherlands, \u201cScratches in the Table<\/strong>,\u201d Ineke Houtman, director<\/li>\n
      • Norway, \u201cThe Prompter<\/strong>,\u201d Hilde Heier, director<\/li>\n
      • Peru, \u201cCaptain Pantoja and the Special Services<\/strong>,\u201d Francisco J. Lombardi, director<\/li>\n
      • The Philippines, \u201cThe Kite<\/strong>,\u201d Gil M. Portes, director<\/li>\n
      • Poland, \u201cPan Tadeusz<\/strong>,\u201d Andrzej Wajda, director<\/li>\n
      • Portugal, \u201cThe Mutants<\/strong>,\u201d Teresa Villaverde, director<\/li>\n
      • Romania, \u201cThe Famous Paparazzo<\/strong>\u201c, Nicolae Margineanu, director<\/li>\n
      • Russia, \u201cMoloch<\/strong>,\u201d Alexander Sokurov, director<\/li>\n
      • Slovakia, \u201cAll My Loved Ones<\/strong>,\u201d Matej Minac, director<\/li>\n
      • Spain, \u201cAll About My Mother<\/strong>,\u201d Pedro Almodovar, director<\/li>\n
      • Sweden, \u201cUnder the Sun<\/strong>,\u201d Colin Nutley, director<\/li>\n
      • Switzerland, \u201cBeresina, or The Last Days of Switzerland<\/strong>,\u201d Daniel Schmid, director<\/li>\n
      • Tajikistan, \u201cLuna Papa<\/strong>,\u201d Bakhtiar Khudojnazarov, director<\/li>\n
      • Taiwan, \u201cMarch of Happiness<\/strong>,\u201d Lin Cheng-sheng, director<\/li>\n
      • Turkey, \u201cMrs. Salkim\u2019s Diamonds<\/strong>,\u201d Tomris Gintlioglu, director<\/li>\n
      • United Kingdom (Wales), \u201cSolomon and Gaenor<\/strong>,\u201d Paul Morrison, director<\/li>\n
      • Venezuela, \u201cGlue Sniffer<\/strong>,\u201d Elia Schneider, director<\/li>\n
      • Vietnam, \u201cThree Seasons<\/strong>,\u201d Tony Bui, director<\/li>\n
      • Yugoslavia, \u201cThe White Suit,\u201d Lazar Ristovski, director.<\/strong><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

        “Everything shown in this film really happened”, claims Lazar Ristovski, “but I wanted to raise it a […]<\/p>","protected":false},"author":1,"featured_media":6525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[190],"tags":[],"class_list":["post-6448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-the-road-to-oscar"],"yoast_head":"\nTHE MOVIE "WHITE SUIT"- ON THE ROAD TO OSCAR - Zillion Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/zillionfilm.com\/en\/the-movie-white-suit-on-the-road-to-oscar\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE MOVIE "WHITE SUIT"- ON THE ROAD TO OSCAR - Zillion Film\" \/>\n<meta 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href=\"https:\/\/zillionfilm.com\/en\/category\/on-the-road-to-oscar\/\" rel=\"category tag\">On the road to Oscar<\/a>","rttpg_excerpt":"“Everything shown in this film really happened”, claims Lazar Ristovski, “but I wanted to raise it a […]","_links":{"self":[{"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/posts\/6448"}],"collection":[{"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/comments?post=6448"}],"version-history":[{"count":1,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/posts\/6448\/revisions"}],"predecessor-version":[{"id":6449,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/posts\/6448\/revisions\/6449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/media\/6525"}],"wp:attachment":[{"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/media?parent=6448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/categories?post=6448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zillionfilm.com\/en\/wp-json\/wp\/v2\/tags?post=6448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}